The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Maintain a physical conditioning program
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Set realistic physical conditioning goals aimed at improving own dance technique Completed |
Evidence:
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Apply a range of techniques to improve stamina, strength and flexibility Completed |
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Identify risk factors that may inhibit the achievement of goals and seek professional advice as required Completed |
Evidence:
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Take fatigue, personal limitations and boundaries into account when undertaking physical conditioning program Completed |
Evidence:
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Always perform warm-up and cool-down activities in conjunction with dance activities Completed |
Evidence:
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Practise ballet technique of increasing difficulty
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Apply increasingly difficult ballet technique across each section of class work Completed |
Evidence:
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Develop increasingly complex performance attributes Completed |
Evidence:
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Show developed strength and complexity in footwork, including pointe work as required Completed |
Evidence:
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Execute complex variations ofballet repertoire with accuracy Completed |
Evidence:
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Exhibit physical learning and adaptabilityto incorporate unseen combinations with speed and verve across differentteaching methods Completed |
Evidence:
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Reveal increasing levels of strength and stamina in male-specific vocabularyas required Completed |
Evidence:
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Develop partnering technique for pas de deux
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Show cooperation and consideration for partner Completed |
Evidence:
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Develop appreciation of timing and weight centring in accomplishing adage, pirouettes, promenades and lifts Completed |
Evidence:
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Exhibit rapport and eye contact with partner Completed |
Evidence:
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Execute lifts and counterbalances with surety and understanding Completed |
Evidence:
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Perform in a partnership that demonstrates strong technique, balance and control Completed |
Evidence:
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Apply the flexibility, sense of line and clear positions essential to the form Completed |
Evidence:
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Present variations and repertoire of a high level of difficulty
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Display variations and repertoire of increased difficulty and technical articulation Completed |
Evidence:
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Convey a high level of spatial awareness appropriate to solo and group work Completed |
Evidence:
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Execute group work with a high sense of cohesion Completed |
Evidence:
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Accomplish solo work with a developing sense of musical individuality Completed |
Evidence:
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Present variations and repertoire with a high level of artistry and assurance acrossballet styles and genres Completed |
Evidence:
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Apply technique in performances
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Undertake preparations appropriate to performance contexts Completed |
Evidence:
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Ensure that personal presentation is appropriate to performance contexts Completed |
Evidence:
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Prepare for competitions and auditions as required Completed |
Evidence:
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Apply performance psychology techniques to preparations Completed |
Evidence:
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Rehearse dance sequences to be performed Completed |
Evidence:
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Sustain focus and concentration to produce performances that show well-developed understanding of, and sensitivity to, rhythm and musicality Completed |
Evidence:
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Convey choreographic intent of dances through confident and precise execution of ballet dance techniques Completed |
Evidence:
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Contribute to debriefing sessions to evaluate the quality of performances and to discuss ways of improving individual or ensemble technique Completed |
Evidence:
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Maintain expertise
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Apply professional work ethic to all practice and performance activities Completed |
Evidence:
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Incorporate injury-prevention techniques into all dance and movement activities Completed |
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Use feedback from teachers and mentors to identify and develop ways to improve own ballet dance technique as well as group work Completed |
Evidence:
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Regularly view performances by industry practitioners as a way of sourcing new ideas and trends, maintaining motivation, and improving own technique Completed |
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